Description
blurs are one of the most successful bands and influence in the united kingdom having in their career 20 singles that reached the top 20 and 5 albums that reached the 1st place of the top sales of their home country. now spend 21 years on the edition of their first album of leisure title that the group celebrates with the re-editing of all their remastered and expanded discography with unpublished material in editions in cd, vinyl and digital. to complete the re-edition plan is also edited a box that brings together all your albums in vinyl and another box that joins the integral of your work, a dvd and abundant unpublished material and rarities.
while the previous parklife reflected a spherical blur stratum the album the great escape kept the band's success by allowing it to reach their second consecutive #1 and triple platinum in the inglaterra. accompanying the original album the extra cd includes 18 themes with the b sides of the country house singles, the universal, stereotypes and charmless man, a duet version of to the end sung by damon and françoise hardy, the live it! remix of entertain me, four themes recorded during the legendary blur concert in 1995 in the mill end stadium, two themes recorded in the ottokyo budokan
available in a luxury box that includes 4 postcards with unique blur designs, an expanded booklet with unreleased photos and texts based on a recent interview given by the band.
Artist
Alternative Rock (Modern Rock) band from London (England).
Blur formed in 1989 as Seymour in Colchester, composed of Damon Albarn, Graham Coxon (1989-2002, 2009- ), Alex James (2), and Dave Rowntree.
Blur's early releases (the singles "There's No Other Way", "Bang", "She's So High", "I Know", and the album "Leisure") were considered indie or alternative rock, heavily influenced by the danceable rhythms of "baggy" bands like The Stone Roses and noisepop bands like My Bloody Valentine, with strains of weirder ideas running throughout, like Syd Barrett (this was often more readily apparent on several single B-sides, where the group let loose its more atavistic, dark side). By 1992, the group was keen on reinventing themselves with a newer, smarter sound and sense of purpose, eschewing the sounds that were coming out of the U.S. specifically, and returning to a retro spectrum of British rock and pop music: British Invasion groups, Mod groups, Psychedelic Rock, even nostalgic music from World War II. They released their second album, "Modern Life Is Rubbish", in 1993, to moderate success and began attracting attention for their stubborn determination to lead Britain out of the miasma that was the grunge years.
Building on the qualified success of "Modern Life Is Rubbish" and its accompanying singles, and aided by groups like Suede, Blur rolled out the carpet for the Britpop cultural movement that would all but engulf the UK for two years, releasing in 1994 what was essentially seen by the general public as the Britpop flagship album, "Parklife". Everything changed culturally, and Blur was riding the crest of that cultural wave. Following rapidly on the heels of the tipping point that was "Parklife", the group's 1995 album "The Great Escape" was a vividly nervy and somewhat cartoonish version of the same formula. It left the group with a hangover that it determined it could only cure by taking several steps back from the Britpop sound and culture. The group re-embraced America, digging into influences like Pavement, Dinosaur Jr., The Pixies.
By the time Blur's fifth studio album, "Blur", came out in 1997, the group had all but severed ties from Britpop and were returning to the same noisy, somewhat spastic experimentalism that was a hallmark of their pre-Blur early days in the late 1980s as a indie artrock group Seymour, only this time the music informed by a broader range of influences. Subsequent albums "13" and "Think Tank" further increased the group's distance from Britpop, eventually encompassing a great diversity of sounds and influences from all over the globe. On February 19, 2015, Blur made a surprise announcement that they'd finished a new album, "The Magic Whip", to be made available to the public on April 25, 2015, and also released a new song, "Go Out".
Noteworthy live & session members:
Wayne Hernandez: lead vocalist with backing choirs since 1997
Simon Tong: guitarist; replaced Coxon for 2003–04 tour
When marked as a copyright holder, use Blur (2).
Tracks
1-1
Stereotypes
03:11
1-2
Country House
03:57
1-3
Best Days
04:49
1-4
Charmless Man
03:34
1-5
Fade Away
04:18
1-6
Top Man
04:00
1-7
The Universal
03:58
1-8
Mr Robinson's Quango
04:00
1-9
He Thought Of Cars
04:16
1-10
It Could Be You
03:12
1-11
Ernold Same
02:07
1-12
Globe Alone
02:23
1-13
Dan Abnormal
03:23
1-14
Entertain Me
04:19
1-15
Yuko & Hiro
05:24
2-1
One Born Every Minute
02:18
2-2
To The End (La Comedie)
05:05
2-3
Ultranol
02:42
2-4
No Monsters In Me
03:38
2-5
Entertain Me (Live It!) Remix
07:17
2-6
The Man Who Left Himself
03:22
2-7
Tame
04:47
2-8
Ludwig
02:24
2-9
The Horrors
03:18
2-10
A Song
01:45
2-11
St. Louis
03:13
2-12
Country House (Live At Mile End)
04:57
2-13
Girls & Boys (Live At Mile End)
05:03
2-14
Parklife (Live At Mile End)
03:42
2-15
For Tomorrow (Live At Mile End)
07:02
2-16
Charmless Man (Live At Budokan)
03:22
2-17
Chemical World (Live At Budokan)
04:12
2-18
Eine Kleine Lift Musik
04:18
2-19
It Could Be You (Live At The Beeb)
03:07
Releases
Formats
CD, Cassette, Vinyl
Labels
Poker Sound By Roton, Mad Vox, EMI, Parlophone , Parlophone, Virgin, M Records , Virgin Records America, Inc., Gala Records , Food, Food , Warner Music Mexico, EMI Music Canada, EMI 百代, Abbey Road Studios, EMI Music Mexico, S.A. De C.V., Delphi Records Entertainment OY
Countries
Australia, Brazil, Canada, Chile, Indonesia, Italy, Japan, Korea, Republic of, Mexico, Poland, Romania, Russian Federation, South Africa, Thailand, United Arab Emirates, Turkey, United Kingdom of Great Britain and Northern Ireland, United States of America, Europe, Yugoslavia, Taiwan, UK & Europe
years
1995, 1996, 2002, 2005, 2012, 2013, 2015, 2020
Members
Damon Albarn,Graham Coxon,Dave Rowntree,Alex James (2)
